The collective groans of the Assassin's Creed faithful heard upon the announcement the game was getting a multiplayer mode were not only noted, but honestly were not without merit when considering gaming's long history of tacking on multiplayer modes to games best left as single player experiences. While that could have easily been the case here, thankfully the boys and girls at Ubisoft recognized the inherit potential of a multiplayer mode within this world, and executed it.
Sometimes, though, developers go the extra mile and build a vertical slice to demonstrate their game. This is a lot of work – even re-using assets from the game, you’re looking at many hours of scripting and scenario design – but the payoff speaks for itself. Bravely Default’s demo is essentially its own mini-RPG, with three dungeons to conquer, five bosses to fight, and a whole bunch of enjoyable grinding to do in the interim. It has condensed versions of the streetpass and job mechanics from the main game that allow you to familiarize yourself and get to the fun quickly. The demo may take all of its assets from the main game, but it uses them to craft an experience entirely distinct from it. In doing so, it gets straight to the essence of what makes the full game fun. What’s more, if you master the demo, you get rewards to help you out in the early game, as well as a head start on streetpasses.
Clocking in at roughly two hours, this episode is one of the longer Telltale episodes right behind the first episode of Tales from the Borderlands. Even though it’s generally long for an episode, it doesn’t mean that time was wasted. With every passing second, new lore is learned about this rendition of the Minecraft world and how many wood types are there In minecraft characters perceive the strange world around them. Who knew that people were pretty used to the idea of killing a dragon from another dimension and hosting a convention in honor of the heroes who slew it?
This beacon megabase by Trollyn_ is absolutely gorgeous and took them over 12 hours to build. That still seems like an insane feat, considering the sheer amount of detail and planning that probably went into crafting something as elaborate as this. Adding beacons into builds is also a fantastic idea, as they can often serve as a centerpiece or something to build aro
Chivalry is a medieval combat game that, for the most part, perfectly recreates the experiences of playing with and against your friends in a Braveheart style battle. Like Monaco did with the heist genre, Chivalry showed us that those years of wishing to participate in large scale medieval battles in video game form were not unfounded, as there is a visceral pleasure that comes with charging the field of battle with a large axe and watching limbs fly around you like leaves in the Fall. The enhanced focus on face to face combat drastically alters deathmatch dynamics, and forces you to create strategies applicable in few other games.
Another issue that impacted the episode as a whole were the amount of times that the members of the Order backtracked into flashbacks that told of the argument that disbanded them. While I understand that it's crucial to the story, it took away completely from the decision making and the story that revolves around Jessie and the Wither Storm. The characters, minus a scene with Petra, receive almost no depth and leave it to the environments and the little bit of dialogue to develop them. With the environments being the main reason to play the episode, the lack of exploration doesn't help its case. For a game that is meant to develop according to character choices, there didn't seem to be a whole lot of decision-making going to develop the story further. Hopefully, the cliffhanger ending will pose as an entryway to further Jessie and his friend's role in all of this instead of being focused on the Order.
It wasn't meant to last though, as even though the 32/64 bit era only barely blurred the party lines, with every subsequent gaming generation, it became harder and harder to separate one system from another just by looking at the games on the store shelves. By the time that Peter Moore revealed a "GTA IV" tattoo on his arm at E3, the message was clear that Triple A titles had become too big and too expensive to only commit to one system or another and, outside of some in-house and privately published development teams, the idea of big name exclusives was a dying light in the night drowned out by the dawn of a new day.
The action from the first episode hasn't left at all and if anything, managed to speed itself enough where you practically have to do a second playthrough just to catch it again. There are plenty of moments that could have been explained more and it's upsetting that they weren't in the short time it took to finish the episode. Things like Olivia's disappointment in finally meeting her hero and Lukas' role in Jessie's group of friends could have been touched upon a little bit more but the fact that they weren't makes me fear for future episodes. It leaves you with a, "oh, that was it?" feeling that should never be felt while playing any game, especially right when you begin getting into the action and quickness of it all. Hopefully, the third episode will capitalize on a few more important moments within the main character’s development and slow down a little in order to give everyone the attention that they deserve.