The episode in itself offers a lot of promise for the rest of the announced episode, but it also cuts them short. The next slew of episodes will be adding new story arcs to the new Order of the Stone as they go on new adventures to build up their legacy. That being said, in the two hours it took to finish the episode to its completion, it made the entire premise feel very unimportant. SO much had happened and so much story and character development was involved that Telltale could have made the entire plot itself into a single season if they wanted to. The entirety of Sky City itself has so much more that could have been explored and so many more characters could have been introduced, but the story was limited to a couple of hours of gameplay. It creates a new kind of gameplay that forces you to pay attention and actually play the game rather than just putting your controller down and making a decision every once in a while.
This castle is made completely out of diorite, which is a creative choice not many end up taking. Diorite is a niche material at best, but ToastyPuma makes it glorious in its highly skillful classic castle creation. This is a home fit for a king, that much is cert
Giving life to a game that is notorious for not having any real plot or development within the story, Telltale did an incredible job capturing the world of Minecraft . They gave insight into the inhabitants of whatever world Minecraft takes place in and what they do when they aren't building or crafting. Inhabitants don't go around killing every zombie and spider in sight and in fact aren't actually set on mining for the greatest minerals to build the biggest buildings and the greatest weapons, which makes sense. With the decision-based mechanics of the episode, you give Jesse the opportunity to make his,(or her) own decisions that will essentially shape his personality as well as the way that others perceive him. Though a good majority of the decisions only result in "She/He will remember that," some are detrimental decisions that can make or break your situation. Regardless of how you play the episode, it offers a lot more than just being a TV show that you play and allows players the chance to create the story that they couldn't play before. For being only the first episode in this five episode series, the series gets off to an incredible start.
Enter the Gungeon is a dungeon crawler with a gun-theme, hence the name. The game follows four misfit characters as they battle through procedurally-generated dungeons while fighting enemies and obtaining new guns, with the end goal being to find the ultimate legendary treasure – the gun that can kill their p
VR Control mode has a number of options available for it, but the default is that turning is done by a series of instant changes, like teleporting in place but facing a different angle. Turn slowly and the jumps are tiny, turn fast and you get a much larger angle of change. Additionally, when you look while walking your "body" automatically changes direction to face the same way without the need to manually adjust it. The trick is to eliminate as much as possible anything that might cause dizziness, and although these changes wouldn't work on a game like Doom they're fine for something slower-paced like Minecraft. It may be weird and a little jarring but also surprisingly effective.
Remember in the beginning of the 32-bit days when controllers simply weren't designed for 3D cameras? You'd have games that mapped up and down viewing to the triggers, and the only way to rotate the camera was to turn your character in the right direction and manually recenter things with a button press. There were a lot of experiments, some better than others, but none held a candle to the introduction of twin-stick controllers. VR FPS is in the same state right now, and PowerWash Simulator satisfaction while there's a lot of interest in getting to the twin-stick equivalent of whatever the solution ends up being, it's not there yet. Minecraft deals with the motion sickness problem by breaking the immersion during rotation, but as long-term solutions go it feels like sticking the up/down view on the shoulder buttons. It may be graceless and awkward, but at least it gets the job done. Creating a workable free-roaming FPS viewpoint in VR is still an ongoing task, though, so until a better solution is found this will do
Certainly, this lends itself to some games better than others. It won't work with any sort of scripted, linear action game, but it's not much trouble to take a chunk of an RPG or Sandbox world, string together a bare-bones quest line, and set players loose. This allows for demos of the caliber you see with emergent games, where it's much easier to take a chunk of gameplay and give it away - Civ V's Demo let you play with a few civilizations on small maps, for instance, while Killer Instinct gives players one free character as a taste. I'm all for anything that allows single-player, structured games to be more competitive, especially when it provides a workable alternative to awful early-access crap.
