Once the player begins building up the town people arrive pretty quickly to populate the town. The primary role of NPCs is to give you quests, so the more you build, the more NPCs arrive, and the more quests you have available. Quests can cover a wide range of tasks, someone can simply request that you build them their room, while others may request you go see what is on top of a distant mountain or go kill a powerful enemy. You can put a sign in front of a structure to limit who can occupy the space. Or if there is an NPC you don't like, you can build a poor shack. You can also use this to force people to sleep next to each other. There is a lot of freedom in this game to do whatever you want.
The episode doesn't stop there, because once you've returned from either of those two paths, you head off as a group with whichever other character you picked up in the first episode (Lukas for me) to find the last member of the Order of the Stone, Soren the Architect. This path also follows a relatively fast-paced action sequence, but falls a little short with its sub-par cliffhanger. It's only episode two, but the weird events surrounding the Order of the Stone and exactly what they're going to do to stop this crazy Wither Storm seems as though it will never be resolved.
If Redstone in Minecraft feels like a foreign language, no need to worry. Just replicating a few basic farms tends to teach the basics to a player. Redstone is worth getting into because of how much things can be automated and simplified . Less time tending to crops will be more time spent building or exploring. Without further ado, here are some Redstone contraptions that are insanely use
On the plus side, once you're in the Minecraft world the sense of scale is truly fantastic. Everything seems bigger somehow, more immediate and solid. A pit in a cave that would be little more than a hazard to plop a staircase onto is all of a sudden an ominous presence waiting to see you fall into its depths. Hills are more imposing, cliffs shoot dangerously into the sky and canyons are massive rifts in the earth, and the oceans go down forever. Even the standard block has a sense of mass, with its one meter cube transformed into a substantial chunk of scenery. Another side effect of the new sense of scale is that combat has become a little easier because the strike distance is so obvious. The move to VR has done a great job of freshening up an experience I've been done with for several years now, which is an impressive feat. While I'm still not completely sold on the viewing solution, it's something that works for now until a better idea is implemented.
The action from the first episode hasn't left at all and if anything, managed to speed itself enough where you practically have to do a second playthrough just to catch it again. There are plenty of moments that could have been explained more and it's upsetting that they weren't in the short time it took to finish the episode. Things like Olivia's disappointment in finally meeting her hero and Lukas' role in Jessie's group of friends could have been touched upon a little bit more but the fact that they weren't makes me fear for future episodes. It leaves you with a, "oh, that was it?" feeling that should never be felt while playing any game, especially right when you begin getting into the action and quickness of it all. Hopefully, the third episode will capitalize on a few more important moments within the main character’s development and slow down a little in order to give everyone the attention that they deserve.
The Classic Control is what you'd normally put up with in a standard FPS, where head movement moves the view and body orientation is controlled smoothly by the right stick or mouse. This is the heart of the VR FPS problem, because while moving forward, back, and strafing isn't much of an issue, turning the view without moving your body is when bad things start to happen at the base of your lizard brain. Even in a blocky Minecraft desert Town world the sense of Real is too strong, and while you know you're playing a game the part that keeps things like your heart pumping and lungs breathing without conscious thought hasn't the slightest idea what's wrong. The trick is to break the idea of Real, and this is where the special VR Control mode comes into play.
There is no new game plus but there is a separate free build mode. Story progression unlocks items in free build mode, and free build mode allows the player to build without limits. Things the player constructs in free build mode can be sent to other players. Free build mode does online connectivity but it is single player only, aside from being able to share items and buildings. It is possible to call for help from other players in this mode. For example, someone was involved with a 24 hour stream and wanted to build an amusement park and requested help through the Dragon Quest Builders social networking channel to get help from other players. Someone built a Ferris wheel, someone else built concessions, and the amusement park was able to get completed quickly since other people were contributing their creations. (noticing the suite is getting packed up for the night and other media people are leaving)