Hell, Blizzard should already know this. World Of Warcraft has been going for over 16 years! 16 years without a sequel! Just updates and expansions. It's a business model Blizzard is already familiar with yet it still went along with making Overwatch 2. A decision I can only assume was influenced by the malevolent ruler of Activision, Bobby Kot
Overwatch 2 is a very iterative sequel, and thus many of its menus will feel very familiar to those who spent time with its predecessor. Because of this stylistic choice I’m going to work through the highlights and point out all of their biggest draws and flaws before deciding on an overall score for the entire package. Yes, some serious science has gone into this idea.
It was the biggest shooter in the world for a long time. Blizzard eagerly celebrated new player milestones on social media, while seasonal events became an all-encompassing occasion in the shooter space before the days of battle passes and live service updates. It was both ahead of its time and constrained by the formula it existed within, as additional game modes introduced as part of big updates and quarterly events never lived up to the base experience it was built upon. Junkenstein’s Revenge, Overwatch Archives, and Winter Wonderland were great fun, but fighting against bullet sponge AI wasn’t what this game was about, and hoping to expand on this universe only served to highlight its shortcomings.
For the first couple of years, Overwatch was unstoppable. Each new hero was a major event, hyped up with months of speculation as players tried to guess who was coming our way next by digging into the game’s files or drawing from small clues left behind by Jeff Kaplan and friends. Sombra, Doomfist, Orisa, Ashe, Ana, Moira, and Brigitte were all big deals, igniting imagination across the fandom with how their relationships intertwined with the existing roster and how their position in the narrative would come to play an important role.
Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one.
But once the sequel was announced the well started to dry up. We used to get three new heroes every year. In 2020, we only got Echo and she was confirmed to be the last new hero until Overwatch 2 arrives . We also used to get some new maps every year, but we only got Havana in 2019 and Kanezaka this year (and that's a deathmatch-only map so who cares about that.) Even the events have felt half-hearted as they've added nothing but new title screens with some old modes recycled and maybe slightly retooled. The only reason we even get new skins anymore is so Blizzard can still rake in that sweet lootbox mo
Roadhog is easy to counter, and is basically just a slower damage character with more health than normal. His Take a Breather healing ability is still somewhat nice, but the meta isn't forgiving for Roadhog, as he's easy to eliminate when focused and offers little protection for himself and his all
I do appreciate the fact that all regular Overwatch players will have access to the new content regardless of whether or not they buy Overwatch 2 (with the exception of the singleplayer modes.) So at least they're not going to split the playerbase. But is anyone going to be around when that happens? Does Overwatch have enough cultural cachet to survive such a long draught of substantial content? Or will 2022 be the year that Overwatch anime collaboration is officially declared dead and buried as all its fans have long since moved
Overwatch defined my first steps into adulthood. I was in my first year of university when it came out, and remember watching my flatmates jump into the beta as they hyped it up as the next big thing. I’d never played a Blizzard game before, and at the time it was an untouchable bastion of goodwill defined by countless classics. Not so much these days . This was its first new IP in decades, and it had all the ingredients to be a masterpiece.
In the absence of playing any actual games in Overwatch 2, I had a decent amount of fun staring at its menus as the search time for a match moved into the double digits. There was a weird smugness to seeing the years of work I put into the first entry immediately reflected in the updated client, which to me looks slicker and better presented than anything that came before it.
